GLITCH presents its new album, First Try, a work that inhabits the unstable territory between electronic music, contemporary composition, fragmented song forms and spoken word.

Composed of acoustic drums, keyboards, electronics, poetry and sound manipulation, First Try builds a sensory narrative shaped by tension, repetition, noise and silence. The result is a work that refuses to settle into a single genre, instead embracing the friction between worlds: the organic and the digital, chance and control, the human gesture and electronic processing.

The GLITCH project positions itself as a space for artistic experimentation, where music enters into dialogue with cinema, performance and sound art. Each track functions as an autonomous fragment while also contributing to a broader conceptual whole, creating an auditory journey that oscillates between the hypnotic and the uncomfortable, the poetic and the brutal.

There is a strong imagistic dimension throughout the album: sounds that evoke movement, memory, ruin and reconstruction. The acoustic drums, far from fulfilling a traditional role, are treated as a physical, almost sculptural material, serving both pulse and rupture. The voice appears in certain tracks, sometimes as text, sometimes as texture, dissolving into the electronics or asserting itself as a narrative element.

This is a record that asks for focused listening and time — an artistic object that reveals itself in layers, made for listeners interested in boundary-pushing music, contemporary creation and new forms of sonic expression.

GLITCH thus positions itself at the crossroads of experimental music, author-driven electronic music and poetic performance, affirming an aesthetic with a strong and distinctive identity.

Recorded at Slow Music Studios por Nuno Simões

Mix and master by Bernardo Fesch.